The images that comprise Snowbound explore my interests in metaphor and our human place in this world. On the surface, these images are quite beautiful. They appear elegantly simple and accessible, evoking, perhaps, the silent tranquility that one might feel after a fresh snowfall. Beneath the surface, however, there is a subtle tension. Like fine haiku, each image quietly references another season, a time of life or activity that has already passed, and may come again. The relationship between the human and the natural world becomes more tightly intertwined as the series progresses, and the cycles of life and death and transformation fold inward.
This interest in time passage and life cycles becomes distilled in explorations of water itself. Ice, snow, fog and water embody the liminal states of a primary element. At times, the multiple forms exist simultaneously. It is as though the thing itself possesses its own counterpoint and transformation is a constant condition, despite seeming moments of stillness.